Mother of God, any article that has something like this:
In Pretend We’re Dead, Newitz, a tech columnist and philosopher, considers the flesh-eating undead as symbols of racial oppression—a credible reading, given the genre’s Afro-Caribbean roots. Even in considering a film as critically paved over as Night of the Living Dead, Newitz manages a fresh insight: that the late Duane Jones’ doomed hero is not only an African American but clearly marked as a bourgeois achiever of the civil rights era (!!!!), sporting loafers, a dress shirt, and an admirable work ethic. (He spends much of the film boarding up windows and doors.) Thus his murder at the hands of a mob connects the film with what is, in Newitz’s imaginative reading, the first undead picture—Birth of a Nation, where white men become white-sheeted “ghosts” in order to prey upon upwardly mobile blacks (!!!!).
No zombie discussion would be complete without orotund socio-political theory, so here’s mine: By foregrounding the question of how much dignity there can be in death and dying, the era of physician-assisted suicide and Terri Schiavo(!!!!) has spurred the recent revival of the zombie film.gets two thumbs up from me. [All exclamation points mine]